Grade 5 ABRSM Piano Exam Pieces

Film Noir (Black Film) C:3 2019-2020

A:1 Prelude in C minor by J. S. Bach 2015-2016 Syllabus

B:3 Am Abend (In the evening) 2015-2016 Syllabus

C:3 60s Swing 2015-2016 Syllabus 

  

2013-2014 Syllabus

Samba-lele, Grade 5 (2013-2014) 巴西桑巴舞曲 2014

No. 4 from Guia pratico(Practical Guide), Album 2, C:3 Grade 5 ABRSM piano exam 2013-2014. Heitor Villa-Lobos was the best-known and most admired Brazilian composer of the 20th century. Immensely prolific, he united the techniques of contemporary European art music with elements of the folk and popular music of his native country. In the 1930s and early 1940s he was much concerned with music education and for this purpose used many traditional Brazilian songs he had collected as the basis of his Guia Pratico. Under this title he published a choral album and 11 piano albums.

Heitor 是20世纪最有名的巴西作曲家。 他融合了欧洲印象派音乐艺术的技巧与本国流行，民族音乐元素为一体。在30年代和早期40年代时期，他对本国的音乐教育已表现出担忧的一面，在此基础上他搜集了大量传统的巴西民歌，开始编写这本应用指南，在此本名录下还出版了一个合唱曲集和11部钢琴曲集。

To A Wide Rose, Grade 5 (2013-2014) 致野玫瑰

No. 1 from Woodland Sketches, Op. 51. By Edward MacDowell(1860-1908). List B:1 ABRSM  Grade 5 piano exam. The link:   http://youtu.be/HOxSRzFOydM

Minuet in D, Grade 5 (2013-2014)

Watching my video by clicking the link:   http://youtu.be/f8tH7VXmd7U
Watching my pupil by clicking the link:   http://youtu.be/dtQLz4s8UFA
 

Beethoven's 12 Minuets, WoO 7, belong to his early period in Vienna (1792-1802), during which he established a formidable reputation as a brilliant young pianist and composer, playing regularly in the homes of the Viennese aristocracy. The original orchestral version of this collection was composed free of charge, 'out of love for his fellow artists', for a masked ball held by the Pension Society of Viennese Artists on St Cecilia's Day(22 November) 1795. Owing to the great popularity of Beethoven's dances, they were repeated at the same event two years later, on 26 November 1797. The piano reduction of the minuets, of which No. 7 is selected here, appeared only three weeks after the original masked ball of 1795-another sign of their great success. In No. 7 characteristic Beethovenian touches are already found-for example, the fortissimo chords on the flat supertonic in bb. 13-14. Grade 5 ABRSM piano exam 2013-2014.